Ten minutes speaking to two subjects with whom you could easily spend an hour each is somewhat like fighting with one arm behind your back. But having intervie...
It’s been a difficult stretch for Pixar. In the near-decade since Inside Out became a creative and commercial hit, the animation powerhouse doubled down on a v...
Summer Solstice took me by surprise when I first saw it at BFI Flare LGBTIQ+ Film Festival back in March. Fresh and funny, simple, but never slight, this medit...
Like the punk-rock cousin of Kelly Reichardt’s Old Joy, Joel Potrykus' Vulcanizadora also concerns a voyage in the woods that pinpoints the exact moment an old...
It's quite the year for Ocean's reunions. Following the trailer for Wolfs, with George Clooney and Brad Pitt, now Matt Damon and Casey Affleck are back togethe...
"There is a danger to romance," says Jeff Zimbalist, co-director of the new documentary Skywalkers: A Love Story, which follows the love story of two Russian d...
Nestled in our list of most-anticipated 2024 premieres was Zia Anger's My First Film, a spin on / expansion of / who-can-say from her much-lauded shorts My Fir...
How now, what news: the Criterion Channel's July lineup is here. Eight pop renditions of Shakespeare are on the docket: from movies you forgot were inspired by...
Second update: Indiewire reports Phoenix has left Haynes' film five days before production was expected to begin, leaving the project in an uncertain state.
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In what feels like unprecedented territory, Eduardo Williams has followed his 2016 breakout experimental film The Human Surge––not with a sequel, but thre...