Considering the pervasive aesthetic influence of John Wick on modern action cinema, it was only a matter of time before variations and riffs on the gun-fu form...
It seemed inevitable that Haruki Murakami’s prose would find a way into the films of Ryusuke Hamaguchi. The director returns with Drive My Car, based on Muraka...
Pablo Larraín is gearing up for a major second half of 2021. At long last, his dance/relationship drama Ema will arrive next month (more on that later) and the...
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Her mother (Becki Hayes' Lois) has lived in this town her whole life and River Allen (Mary Cameron Rogers) knows she'd willing suffer the same fate unless she ...
Scope around certain movie sites or Film Twitter and you may find reference to a slated upcoming DC comics adaptation title Justice League Dark—Guillermo del T...
A triptych of interconnected stories form Evolution, which begins at the end of the liberation of Auschwitz, in 1945, skips forward to an apartment in Budapest...
Yet another Berlin 2020 title finally making its way to the world, Eyimofe (This Is My Desire) arrives with some lofty expectations—it is, after all, a Ja...
It is, knowing Bruno Dumont, almost certainly a joke to have the premiere French actress of our time play a crisis-stricken character named France, but I don't...
Some years since Cemetery of Splendour has Apichatpong Weerasethakul returned, this time under two unusual conditions: in English and with a movie star before ...