Petrov’s Flu opens on a stuffy commute—a Moscow bus in the early years of post-Soviet Russia. The eponymous protagonist is already bent over a handrail, strick...
In 1998, Dianne Middlebrook published Suits Me: The Double Life of Billy Tipton, and the narrative around Billy Tipton’s life was warped. The truth was that Ti...
From the 2010 edition of the Blacklist to Zac Efron's schedule, Andrew Barrer and Gabriel Ferrari's screenplay for Die in a Gunfight seemed to be getting the f...
It was hard to walk past a downtown Toronto McDonald's and not feel some twinge of melancholy seeing the tie-in for Space Jam: A New Legacy advertised on its g...
Anthony Bourdain took his own life. It’s common knowledge. It’s not the most defining facet of his legacy, but he knew his death would be of interest. He talke...
There’s something off about Mama Weed. On a more superfluous level, there’s the translation from La daronne—the original French title and the street name its p...
There's a legend of sorts about a shipwreck on the island locale most tourists ask Charlie (Aaron Jakubenko) and Kaz (Katrina Bowden) to take them off the Aust...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Bill Graham are joined by Brett Arnold to discuss Justin Lin's Cannes...
Few documentaries made an impact at Sundance comparable to Sabaya—it did win their World Cinema Documentary Directing Award, after all. Which surely played no ...
In the sea (one might say glut) of contemporary animation—a form that, by its very nature, is most often supported by the ever-watchful eye of major studios—br...