The Film Stage - Page 431

Mia Hansen-Løve on the Quest to Understand Life Through Filmmaking

Filmmakers are not their films, but Mia Hansen-Løve continues drawing the assumption. Her eighth feature, One Fine Morning, extends a series of semi-autobiogra...

A Masterpiece Returns in Exclusive Trailer for 4K Restoration of Bernardo Bertolucci’s The Conformist

In a decade of numerous masterpieces, one of the towering cinematic feats of the 1970s was Bernardo Bertolucci's Alberto Moravia adaptation The Conformist. Wit...

DOC NYC Review: Love in the Time of Fentanyl Finds Compassion and Tenderness in Hell

A kind of sequel to his short film Haven, which concerned a radical treatment program that offered drug users free medical-grade heroin, Colin Askey’s Love in ...

DOC NYC Review: Dusty & Stones is a Wise, Warm Look at the Adventures of a Country Music Duo from Swaziland

Already legends in the remote town of Matsapha, Swaziland, country singers Gazi “Dusty” and Linda “Stones” find a warm welcome in the American south when...

Wes Anderson’s Asteroid City Set for Summer 2023 Release

Will 2023 be the year of two new films from Wes Anderson? Earlier this year, Anderson began production on a new Roald Dahl adaptation of The Wonderful Story of...

The Film Stage to Present Steven Spielberg’s Always & The Terminal on 35mm at Roxy Cinema

At some point in the last few years of compiling The Film Stage’s Weekend Watch column, which seeks to highlight the best in New York’s repertory offerings, we...

Miguel Gomes Completes Selvajaria, Set to Direct Grand Tour

After crafting one of the most playfully inventive lockdown films with this year's The Tsugua Diaries (co-directed by Maureen Fazendeiro), Portuguese director ...

5,000 Classics of Indian Cinema Will Be Restored

As the recent Sight and Sound poll further confirmed, while the current canon is an ideal starting point for any burgeoning cinephile, an entire world of filmm...

Saint Omer Trailer: Alice Diop’s Stunning Drama is France’s Oscar Entry

One of the finest films of 2022 is the narrative debut of documentarian Alice Diop, Saint Omer. Selected as France's Oscar entry, the multiple Venice award win...

U.S. Trailer for Ireland’s Oscar Entry The Quiet Girl Unveils Captivating Coming-of-Age Tale

Starting next week, if you're in NY or LA, you'll be able to get an early look at Colm Bairéad's acclaimed drama The Quiet Girl, which was selected as Ireland'...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

Read More