There's an interesting lesson to be learned at the center Laurent Cantet's Arthur Rambo—one it's honestly shocking to think still needs to be learned. I don't ...
We often forget that exotic locales aren't an escape for those living here. While co-eds dock ashore for sun, sex, and fun, families merely wake up early to go...
With the TIFF world premiere The Mad Women’s Ball (Le Bal des folles), Mélanie Laurent proves again to be an equal force in front of and behind the camera. The...
One of the particular pleasures of The Lost Daughter, actress Maggie Gyllenhaal’s debut feature as a director, is wondering which of the handful of sizeable fe...
With Cannes returning this year but pushed back two months from its normal May slot, it means the wait between premiere and theatrical release for most films i...
Booked to talk Mastering the Art of French Cooking on public access channel WGBH-TV, Julia Child took it upon herself to call the station and request a hotplat...
Their differences are plenty. Her heritage is Irish; his is Pakistani. She lives in a part of Britain where he knows to worry about getting stones thrown at hi...
Frank Farelli (Pål Sverre Hagen) has been unemployed in a dying town for quite some time. The area used to attract visitors in the past—not many, but enough to...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Craig D. Lindsey to discuss Ni...
Time is everything in a Terence Davies film. In Benediction, his biopic about English poet Siegfried Sassoon (Jack Lowden), he eventually covers his subject’s ...