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[Sundance Review] Don Jon

One has to give props to the multi-talented Joseph Gordon-Levitt for pulling off something special with his directorial debut Don Jon's Addiction. In addition t...

[Sundance Review] Hell Baby

With its title and talent, one can at least establish some expectations for the experience that is Hell Baby, the latest absurd, idiotic and mostly hilarious fi...

[Sundance Review] Lovelace

Hollywood has proved there are a multitude of ways to handle a biopic. One can go the outside-the-box route with something like Todd Haynes' look at Bob Dylan w...

[Sundance Review] Prince Avalanche

Despite the hilarious Pineapple Express, there's no denying David Gordon Green has been on a downward spiral with each new step into the world of studio comedy....

[Sundance Review] Kill Your Darlings

With John Krokidas’ Kill You Darlings, we are given yet another entry into the still-burgeoning Beat Generation brand. At this Sundance alone, we have been help...

[Sundance Review] The Spectacular Now

Returning to Sundance Film Festival just one year after his overlooked drama Smashed, director James Ponsoldt shows a mature step forward with his coming-of-age...

[Sundance Review] The East

Serving as an engaging antithesis to last year’s Sound of My Voice (a cryptic piece of filmmaking that left a myriad of questions unanswered), Zal Batmanglij’s ...

[Sundance Review] Escape From Tomorrow

If one were to ask what film is generating the most buzz at this year's Sundance Film Festival, the answer would most likely be the audacious and provocative Es...

[Review] Blancanieves

It appears Pablo Berger's silent, black and white interpretation of the Brothers' Grimm's Snow White has become a casualty of its subject's overexposure outside...