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[Sundance Review] The Way, Way Back

The Way, Way Back, written and directed by Nat Faxon and Jim Rash, is the kind of independent film the Sundance Film Festival has become synonymous with: a wide...

[Sundance Review] We Are What We Are

Writer/Director Jim Mickle is no stranger to indie horror films, having had a fairly successful run with his 2010 vampire thriller Stakeland. That same year, an...

[Sundance Review] Upstream Color

With expectations mounting as the years ticked by, those that have witnessed the intricately detailed and mind-bending time-travel film Primer have been patient...

[Sundance Review] Before Midnight

Spanning the course of 18 years, Richard Linklater's incomparable Before trilogy establishes itself as one of - if not the - great American chronicles of our ti...

[Review] Knife Fight

With five nominations and two wins from the Academy Awards for documentary work, director Bill Guttentag set his sights on the world of political strategists wi...

[Sundance Review] Stoker

As we've learned time and time again, a foreign director's transition from their native country to Hollywood can often be a difficult road to traverse, with not...

[Sundance Review] V/H/S/2

It has been exactly one year since the original V/H/S played at Sundance, yet we already have the sequel to the horror omnibus cleverly titled V/H/S/2. In case ...

[Sundance Review] Breathe In

In nearly every possible way is Drake Doremus' Like Crazy follow-up, Breathe In, a more mature, confident and impressive piece of work. For the first hour at le...

[Sundance Review] The Look of Love

Nary a year (or even half a year) goes by on the festival circuit without a new film from Michael Winterbottom. This 2013, the ever-prolific filmmaker gives us ...