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[Tribeca Review] Boulevard

An unexpected turn for director Dito Montiel, known for his portraits of rugged masculinity in the inner city, including his debut future A Guide to Recognizing...

[Review] Whitewash

The frozen, gray confines of a forest in Quebec become an unstable purgatory for hapless Thomas Haden Church in Emanuel Hoss-Desmarais' darkly comic Whitewash. ...

[Tribeca Review] Extraterrestrial

What is it about interstellar travel that seemingly halts an advanced species’ sense of sophistication? If Hollywood and the internet conspiracy cultists are to...

[Tribeca Review] Der Samurai

A strange man drags through the forest a meat-filled bag, its bloody contents all too visible through the clear plastic material. What seems like the introducti...

[Tribeca Review] In Your Eyes

The ubiquity of cell phones and the internet have made long-distance relationships, once an exercise in patience and delayed gratification, into something that ...

[Tribeca Review] An Honest Liar

Part of the reason I gravitate towards and often find documentary films more interesting than narrative ones are because the format allows filmmakers freedoms a...

[Review] Beneath the Harvest Sky

A movie doesn't always have to be one hundred percent unique to prove effective if those involved propel it above cliché through authenticity. Writer/directors ...

[Tribeca Review] A Brony Tale

Like many, I learn about my subcultures from The Howard Stern Show, which had sent a correspondent to cover this year’s BronyCon, an annual fan convention for f...

[Review] The Quiet Ones

It may be called The Quiet Ones, but the latest supernatural offering from revamped Hammer Studios is anything but. John Pogues would-be chiller may not raise t...