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[Fantastic Fest Review] Shrew’s Nest

Considering many of the Fantastic Fest selections revolve around extremes, people going insane is a common theme. Because of that you are given the unique abili...

[Fantastic Fest Review] The Tribe

There tends be a lot of hyperbole tossed around about certain types of movies being a groundbreaking, one-of-a-kind experience, but that statement actually ring...

[Fantastic Fest Review] Everly

At the end of the day, a gimmick is a gimmick. Taking place in a single room, Joe Lynch's latest film Everly can feel needlessly contained, but eventually manag...

[Review] Bronx Obama

Down on his luck and out one night at his local Bronx watering hole, Louis Ortiz, an unemployed Puerto Rican father from the Bronx, is told for the hundredth ti...

[NYFF Review] Gone Girl

Something is wrong from the very first moments of Gone Girl, David Fincher's sinister, immensely entertaining tenth film and an adaptation of Gillian Flynn’s pu...

[Review] The Equalizer

It doesn’t really matter whether or not you recall the old CBS TV show on which Antoine Fuqua’s The Equalizer is based, because there’s very little similarity o...

[Review] Lilting

There's no better title for Hong Khaou's feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with mem...