Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured itād be best to compile some of the more worthwhile repe...
TheĀ Film Foundation's efforts to restore Charles Laughton's The Night of the Hunter are, to my eyes, exemplary. While a new coat of paint isn't necessarily ...
Another week, another new James Franco film. Following up Goat and King Cobra, his next project is Burn Country (formerly titled The Fixer), a winner a this...
In the wake of Noah Baumbach and Jake Paltrow's wonderfulĀ De Palma, a documentary concerningĀ the life and career of director Brian De Palma, it's difficult to l...
Who's excited for Paterson? We're excited for Paterson! Those of us who haven't seen it, at least. Along with naming it one of this fall'sĀ finest selections...
WhileĀ Ang Lee's war storyĀ Billy Lynn's Long Halftime WalkĀ was billed to beĀ technology-advancing fare, the reactions of suchĀ advancements were quite mixed co...
It's appropriate that the act of illusion playsĀ such a central role inĀ Inferno, forĀ the film itself spends a lot of time masquerading as though it's something l...
In yet another season of big-scale awards contenders and franchise-perpetuating blockbusters, a new Warren Beatty movie -- nay, a new Warren Beatty movie th...
Not only does Jim Jarmush have Paterson and Gimme Danger this fall, but he also produced -- and is featured in -- Uncle Howard, a new documentary from direc...