The Film Stage - Page 1159

Kristen Stewart Goes Ghost-Chasing in U.S. Trailer for Olivier Assayas’ ‘Personal Shopper’

I've sought out nearly all of his films, but even that level of knowledge and admiration couldn't prepare me for what Olivier Assayas concocted with Persona...

New to Streaming: ‘Arrival,’ ‘A Separation,’ ‘The Edge of Seventeen,’ ‘The Love Witch,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

NYC Weekend Watch: ‘Anatahan,’ ‘The King of Comedy,’ ‘Wavelength’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Sundance Review: ‘Fun Mom Dinner’ Recycles Easy Jokes, Stumbles Through the Punchline

Hot on the heels of the studio comedy hit Bad Moms comes Fun Mom Dinner, an indie-fied, but no less broad version of mom's night out from director Alethea Jones...

Review: ‘The Space Between Us’ Undershoots its Potential and Flails Between Genres

Boy meets girl. Boy falls in love with girl. Oh, but did I mention that boy lives on another planet? So is the premise that carries The Space Between Us, and it...

Posterized February 2017: ‘The Lure,’ ‘John Wick: Chapter 2,’ ‘A Cure for Wellness,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....

Sundance Review: ‘Winnie’ Presents a Duality to an Infamous Political Figure

It's difficult to truly capture a controversial subject in film. For a figure such as Winnie Madikizela Mandela, it may be impossible unless you ensure her pers...

Sundance Review: ‘Machines’ Offers a Brilliant, Heartbreaking Juxtaposition

The most pointed question asked by Rahul Jain's documentary Machines comes from the camera. By showing us the gigantic textile spools, looms, and washers with o...

Sundance Review: ‘Oklahoma City’ Blueprints the Hate Surrounding a Terrorist Act

Over two decades after the Oklahoma City Bombing, director Barak Goodman explores the evolution of the hateful, terrorist act in his documentary, aptly titled O...

The Film Stage Show – The 2017 Stagies

The most entertaining, perhaps sloppiest, awards ceremony of the year. We hope you enjoy, possibly with a drink....

News

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Exclusive Poster for Bingham Bryant’s FID Marseille Debut El espejismo

New 4-Hour Director’s Cut of Kevin Costner’s Dances with Wolves Will Premiere at Locarno 2026

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

15 Films to See at Japan Cuts 2026

New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Interviews

David Wain on the Hard Work of Making Dumb Jokes

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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