The Film Stage - Page 1137

Joachim Trier Goes Genre in First Trailer for Supernatural Drama ‘Thelma’

As the Cannes Film Festival line-up comes into focus, one title we expect to make its debut there is the latest film from Joachim Trier. After crafting emot...

NYC Weekend Watch: ‘Barry Lyndon’ with Live Orchestra, ‘Spellbound,’ ’70s Universal & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Review: ‘Mine’ Doesn’t Make the Most of an Intriguing Premise

With Mine, Fabio and Fabio’s script bites off far more than it can chew, thematically and narratively -- and it chews with its mouth open. ...

New to Streaming: ‘Kaili Blues,’ ‘Split,’ ‘Tropic Thunder,’ ‘The Void,’ and More

All the newly streaming films on Netflix, FilmStruck, Amazon, and more....

Liev Schreiber Bleeds in First Trailer for Boxing Drama ‘Chuck’

A subgenre which has had a resurgence in the past few years in the boxing drama. Following Creed, Southpaw, Hands of Stone, and Bleed for This, another will...

Review: ‘Gifted’ is Endearing, But Falls Prey to Conventions

Stories about prodigies are too often mired in tragic mental health issues or careers with boundless accolades and successes. Some can be done very well and oth...

Review: ‘Going in Style’ is a Serviceable, Formulaic Remake

Back before Martin Brest was placed into forced retirement post-Gigli, he had a run of comedy hits including Midnight Run and Beverly Hills Cop. The first of th...

Review: ‘The Void’ is a Surreal Hybrid of ‘The Thing’ and ‘Hellraiser’

I was recently comparing directorial culture today with that of the 80s and 90s, referencing how new technology has allowed a disintegration of the old school "...

Posterized April 2017: ‘Free Fire,’ ‘The Lost City of Z,’ ‘Colossal,’ and More

This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....

Stellan Skarsgård and Nina Hoss ‘Return to Montauk’ in First Trailer for Volker Schlöndorff’s Drama

The Tin Drum director Volker Schlöndorff returned to Berlinale this year to premiere his latest drama, Return to Montauk. Starring Stellan Skarsgård and Nin...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

12 Films to See in July

New to Streaming: Blue Heron, I Love Boosters, Tuner, The Sheep Detectives & More

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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