The Film Stage - Page 107

Sundance Review: In Omaha, a Desperate Dad Takes His Kids On an Unexpected Road Trip

Early one morning, a single father and widower (John Magaro)––credited as Dad––wakes up his perceptive nine-year-old Ella (Molly Belle Wright) and mischievous ...

Sundance Review: André Is an Idiot is a Noble Document of a Dumb Decision

There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn't really work. It's a simple, stark subject for a documentary: ac...

11 Films to See in February

With Sundance wrapped up, much of February's attention toward the world of cinema will be on Berlinale. This month certainly isn't stacked for new releases, bu...

Sundance Review: Bunnylovr is a Compelling, Messy Character Study in Social Isolation

Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal as...

David Cronenberg’s The Shrouds Sets Spring Release as New Teaser Arrives

After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspirac...

NYC Weekend Watch: I-Be Area, Frederick Wiseman, Picnic at Hanging Rock & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaOne of our era's great musicians, Lex Walton, introduces I-Be Area on Friday; Ba...

New to Streaming: Sundance 2025, Sing Sing, Babygirl, Den of Thieves 2: Pantera & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...

Frank Ocean Has Begun Shooting His Directorial Debut

If the four-year gap between Frank Ocean's debut studio album Channel Orange and his follow-ups Endless and Blonde felt long, it's now been over double the wai...

The B-Side – Queen Latifah (with KT)

Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. ...

Marcello Mio Review: Chiara Mastroianni Honors Her Father in Toothless Meta Satire

The infamous cover of New York Magazine’s December 2022 issue declared that Hollywood is in the middle of a “Nepo Baby Boom,” but this is hardly restricted to ...

News

Atom Egoyan and Alison McAlpine Discuss the Oscar-Contending Perfectly a Strangeness

Brian De Palma Will Direct Sweet Vengeance This Summer

Exclusive Poster for Marco Bellocchio’s Six-Hour Portobello, Arriving on HBO Max in February

Trailers

Sirāt Trailer: Oliver Laxe’s Desert Rave Thriller Arrives in February

U.S. Trailer for Christian Petzold’s Miroirs No. 3 Brings Paula Beer Into Uncertain Territory

A Luchino Visconti Gem is Restored in Exclusive Trailer for Conversation Piece

Reviews

Dead Man’s Wire Review: Gus Van Sant Offers a Good Time at the Movies

The Chronology of Water Review: Kristen Stewart’s Elemental Calling Card for Directorial Greatness

All That’s Left of You Review: An Impactful Exploration of Decades of Palestinian Trauma

Features

Soham Gadre’s Top 10 Films of 2025

Michael Frank’s Top 10 Films of 2025

NYC Weekend Watch: To Save and Project, The Secret Agent Network, Port of Shadows & More

Interviews

“Every Single Day Was a Nightmare”: Annemarie Jacir on the Past and Present of Palestine 36

Lav Diaz on Magellan: “Cinema Can Look Big Even with a Small Camera”

“I Cried a Lot”: Sentimental Value Cinematographer Kasper Tuxen on Connecting With Joachim Trier’s Cast

Podcasts

The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

The B-Side Ep. 173 – James L. Brooks (with Adam Drosin)

The B-Side Ep. 172 – Daniel Craig (with Gavin Mevius)

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