Miranda Fall (Mireille Enos) is a cataloger. Her art leads her on journeys following new subjects in order to understand who each is by what each does and posse...
The modern pervasiveness of surveillance technology causes an unfamiliar type of cognitive dissonance where their use is collectively recognized but an innate f...
By Siddhant Adlakha
When attempting to parse the root causes of religious extremism, a common argument in western discourse involves not only pointing to Islam...
Fans of fierce, challenging indigenous cinema rejoice. It’s not every day that you see a film from and depicting the life in the Dominican Republic, let alone o...
A central scene in Apostasy, the powerful debut from British director Daniel Kokotajlo, has a group of kids stage a re-enactment of King Solomon’s judgment, the...
Set in Kinshasa in the Democratic Republic of Congo, Félicité is the new film from Alain Gomis, a French director of Guinea-Bissauan and Senegalese descent....
In just a few weeks we'll see what a Taika Waititi-directed Marvel movie looks like, then a few months later, Ryan Coogler (Fruitvale Station, Creed) will d...
Let's think about the title to Vivian Qu's sophomore effort Angels Wear White because the meaning goes far beyond the words themselves. On the surface it's simp...
Feeling like a poor stage-to-screen adaptation in the lineage of Rent or The Producers -- just without catchy songs to redeem it -- Wonder Wheel is an undercook...
If you’ve always liked Winnie-the-Pooh but wish it overflowed with death undertones and ponderings on the destructive nature of fame, has Simon Curtis made the ...