The Film Stage - Page 1016

NYC Weekend Watch: Terence Stamp, ‘Charade,’ ‘Vagabond’ & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

Review: ‘Pacific Rim Uprising’ Surpasses its Predecessor with Ridiculous Robot Mayhem

Despite both the title and tagline, at no point in Pacific Rim Uprising does any one or thing rise up. Keeping this in mind should properly set your expectation...

New to Streaming: ‘Daughter of the Nile,’ ‘Roxanne Roxanne,’ ‘The Beguiled,’ and More

All the newly streaming films of Netflix, Amazon, FilmStruck, and more....

Review: ‘Beauty and the Dogs’ Depicts a Rape Victim’s Fight for Justice

Fear should never be underestimated as a means for oppression or motivation because there are few emotions more potent. This is why totalitarian regimes use it ...

‘Under the Silver Lake’ Trailer: Andrew Garfield Leads Crime Drama from the Director of ‘It Follows’

Update: The film has been delayed to April 19, 2019. After his hit horror thriller It Follows, which packed an unceasing sense of dread, director David R...

William Friedkin Captures a Real-Life Exorcist in First Trailer for ‘The Devil and Father Amorth’

45 years after The Exorcist terrified audiences across the world, William Friedkin is returning the world of spiritual entities with a new feature, this tim...

Review: ‘I Kill Giants’ is a Darkly Resonant Fable

While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly, who adapted his own limited comic series of the same name that he c...

Fred Rogers and Pope Francis Get the Spotlight in First Trailers for Forthcoming Documentaries

Documentaries about Great Men isn't exactly what I imagine is at the top of cinema's current priorities, but Focus Features is banking that audiences will w...

SXSW Review: ‘Galveston’ is a Frustratingly Hollow Road Movie

Adapted from the novel by Nic Pizzolatto, the fourth feature from Mélanie Laurent, Galveston, focuses on perhaps the least interesting part of its narrative, cl...

SXSW Review: ‘The New Romantic’ is an Authentic, Funny Drama about Mutually Beneficial Relationships

An indictment of modern hook-up culture, The New Romantic offers an often surprisingly funny look at one aspiring journalist’s experimentation with a sugar dadd...

News

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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