After finishing up HBO's cult hit Vice Principals last year, Jody Hill returns to the big screen (or, rather, small, as it's headed to Netflix) with The Legacy ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Sadaf Foroughi’s fulminating debut feature, Ava, may strike a few chords among Persepolis enthusiasts. A role-model schoolgirl turned rebel, its eponymous teena...
Premiering on last year's fall film festival circuit, Paul Schrader's dark, existential spiritual drama First Reformed is one of the director's best films–p...
Ready Player One is an abomination of a novel, but it was never going to be that bad as a movie. If nothing else (and frankly, there may be nothing else), Steve...
It starts with the mixture of excitement and fear the result of a positive pregnancy test delivers before quickly moving into an impromptu hallway dance that en...
Masaaki Yuasa, director of one the century's best animated films thus far, Mind Game (which recently enjoyed a theatrical re-release), is back this year wit...
As Jean-Luc Godard prepares for a potential Cannes debut of his new feature, a biopic on the French New Wave Icon (which premiered at the festival last year...
The characters populating Ilian Metev’s 3/4 (read: Three Quarters) often walk and talk in pairs, but they are seldom framed together, the camera lingering on ea...
Long before “Galang” and “Paper Planes," and prior to her Oscar nomination and universal fame, there was a time M.I.A. was Mathangi Arulpragasam, the daughter o...