Sarah Polley's Stories We Tell is an exquisite, elegant rebuke to the standards that define so many of our most popular filmic narratives: three-act structures ...
After a longtime career as acting coach for the likes of Jet Li, Harold Guskin heads behind the camera for his directorial debut Down the Shore with the help of...
Directing his first film since 2005’s Down in the Valley, David Jacobson finds himself in very similar tonal territory with Tomorrow You’re Gone. Written by Mat...
The saying goes as follows: "behind every great man stands a great woman". No words are truer said for renowned sculptor/designer Isamu Noguchi if Hisako Matsui...
Note: The trailer for Trance, I think, does a good job of representing the film without revealing significant plot specifics. I have tried to stick to that agen...
Tyler Perry is back in full force as a cinematic wonder, pulling off things that quite simply shouldn’t work. Creating an inherently theatrical work that requir...
16 years ago writer-director Andrew Niccol crafted one of the most well thought-out, dramatic, and moving science-fiction universes with his cult classic, Gatta...
There's a bravado throughout G.I. Joe: Retaliation that never quite rings true. As much as they talk it up, it's more of a rooster's plumage than reality. "Roar...
Thrillers with a bit of amorality at their center are always a welcome treat when Hollywood seems too quick to make theirs possess ironclad happy endings. The t...
Artistic integrity -- is it a dying concept or has the definition simply changed? As a freshman in college I began admitting to anyone who asked my major that p...
