I should sue TV pitchman Vince Offer for false advertising: a comedy implies humor and potentially laughter, yet not one laugh is found within easily the worst ...
Olympus Has Fallen is a TNT movie, but the best of its kind: one that knows exactly what it is. Director Antoine Fuqua seemingly tailored his heavy-duty actione...
There is genuine heart and an intriguing theme inside of The Croods, the latest from DreamWorks Animation. Directors Chris Sanders and Kirk De Micco have an odd...
Bolstered by a script ranking number three on the 2010 Brit List—a film industry tabulation of the best unproduced British screenplays—Eran Creevy's Welcome to ...
A film can be knocked off track by its main characters. Even a powerful message and an interesting exploration of an idea can’t overcome protagonists that you r...
Grow Up, Tony Phillips, the latest film from young writer/director Emily Hagins has a suffocating charm, something that comes as both a praise and a criticism. ...
“When it comes to punk:, New York has the haircuts, London has the treasures, but Belfast has the reason, ” Terri Hooley remarks in Good Vibrations, the latest ...
A young boy on a bus—this is the indelible mark left by the first three episodes of Jane Campion and Gerard Lee's miniseries Top of the Lake and it sticks less ...
Whether true or not, hearing writer/director Vincent Grashaw wrote the first draft of his debut feature Coldwater right after graduating high school in 1999 was...
Medora is an especially powerful and perceptive film, telling a story all too familiar and perhaps all too real -- this is what the shrinking middle and lower c...
