Paul Schrader’s Los Angeles has changed: the fast cars, smooth clothes, and electronically edged pop music of American Gigolo may survive, but are reworked and ...
In supposing that there’s entertainment to be found watching torture onscreen, a horror/thriller subgenre was created that emphasized it to “pornographic” heigh...
The feat of articulating what it is exactly that actually separates Big Ass Spider! from recent SyFy channel monster mockbusters like Atlantic Rim or the tired ...
Above all, the To Do List announces the arrival of Aubrey Plaza, movie star, with a role that takes full advantage of the awkward persona she's now best-known f...
The life of an artist is often pigeonholed into some lofty, depression-laden existence built upon selfish ambitions and creative genius leaving no room for anyt...
If the found-footage concept relies on the belief that hand-held images will instantly signal reality, then it’s refreshing that The Dirties has the intelligenc...
Is it possible for images to swallow each other whole? Meaning a process in which each progressive striking composition not just tops the other, but rather summ...
Fox seems to be at a crossroads with its X-Men franchise, gearing up for something genuinely interesting with X-Men: Days of Future Past and moving beyond what ...
After hearing about the death of top Orca trainer Dawn Brancheau on February 24, 2010, writer/director Gabriela Cowperthwaite became intrigued by the SeaWorld p...
Shaun of the Dead opened with the notes of classic horror layered over studio logos from the 21st century. The initial aural-visual impressions from Hot Fuzz ar...
