Anton Corbijn's The American is a restrained, absorbing and visually staggering story of an assassin on his final mission, but the marketing sold it as star-pow...
With Saturday Night Live serving as their initial platform, Kristen Wiig and Bill Hader have enjoyed substantial comedic careers in Hollywood, both behind and i...
Following his break-out performance in last year's restrained Sundance drama This is Martin Bonner, the talented Paul Eenhoorn has returned to the festival with...
Clearly inheriting its thematic ambition from the old adage of “less is more,” The Sleepwalker takes a good long while to do not too much, and although the jour...
The style of Terrence Malick has long since been a comparison point in many critical examinations, as of late hitting something of a fever pitch. While I rarely...
Just when you thought the "Brooklyn in film" trope was tired and played-out on the festival circuit, here comes Obvious Child. Set primarily in Williamsburg, wr...
There's no definitive path on the unwieldy journey that is the creative process. We've seen countless films tackle various approaches in an attempt to find an a...
God’s Pocket, the feature directorial debut of Mad Men’s John Slattery, is a dark comedy determined to paint a distinct picture of small life in a very particul...
Survival is one of humanity's most basic instincts, driving one to unspeakable lengths to persevere in the harshest of conditions. Fishing Without Nets, one of ...
It seems as though Hollywood has a yearly quota for World War II dramas, ones that often present the heroic military efforts of the Allies, or others that zero ...
