There has yet to be a great documentary about education reform. A politicized issue if there was ever one, Greg Whitely, director of Mitt and New York Doll trie...
Amongst the national conversation we’re having about race is a topic a topic often glossed over amongst the conservative talking point of “accountability." Yes,...
“I get things are bad. But what are we doing to fix it?”
Early on in Brad Bird’s Tomorrowland we are treated to a vision of the future that strives for unque...
Gaspar Noé, author of the notorious Irreversible and Enter the Void, has been generating a lot of hype around his fourth feature Love, which at Cannes was large...
It is difficult to equitably handle and deal with particular subject matter in a film without feeling exploitative. Yet David Pablos has managed to walk this fi...
Paolo Sorrentino’s visual prowess is almost always let down by his scriptwriting. That’s why his only feature based on a real-life story, Il Divo (winner of the...
With each film, Denis Villeneuve proves his talent for crafting extremely effective visceral spectacles, ensnaring the viewer through expert engineering of mood...
Joachim Trier’s previous features, his excellent debut Reprise and its near-perfect successor Oslo, August 31st, both co-written with Eskil Vogt, pulled off the...
Following his 2010 debut, Summerland, Rams marks the second feature film from Icelandic director Grimur Hakonarson. Premiering as part of Cannes' Un Certain Reg...
There is something to be said about the satisfying catharsis from a pure melodrama -- a movie that is so earnest and excessive in service to its genre conventio...
