Reviews

[Review] Eddie the Eagle

The 1988 Winter Olympics in Calgary attracted more absurd hopefuls than coffee shops in Los Angeles. The collection of oddballs meant that the Jamaican bobsledd...

[Review] Bad Hurt

The kitchen sink's thrown against the wall with bathtub, toilet, and whatever else made of easily-shattered porcelain in the house following right behind—this i...

[Review] Tumbledown

From its opening of characters listening in stunned awe to the music of a legendary fictional folk singer, Sean Mewshaw’s admirable but disappointing Tumbledow...

[Sundance Review] Equity

There were many great films about strong women at this year’s Sundance – Kelly Reichardt’s Certain Women and Antonio Campos’ Christine to name two of the festiv...

[Sundance Review] Wild

It’s love at first sight for Ania and a young handsome stranger lurking in the woods. Animal magnetism finds a new meaning in Wild, an intriguing, passionate dr...

[Review] Deadpool

As Hollywood struggles to reinvent their array of superheroes with each iteration, it's no surprise that audiences would become hungry for something off the bea...

[Sundance Review] Nuts!

A story so absurd it requires animation to be told, Nuts!, directed by Penny Lane, continues the filmmaker’s interest in personal histories, following her 16mm ...

[Review] I Knew Her Well

For one reason or another, Antonio Pietrangeli never took off internationally like his compatriots Michelangelo Antonioni and Federico Fellini. Part of that is ...

[Sundance Review] Antibirth

Ugly and occasionally entertaining, the female-led Antibirth is a punk rock horror thriller set in a decaying suburb somewhere in Michigan. Opening in the middl...