From her break-out performance in 12 Years a Slave, Lupita Nyong'o hasn’t found much time to let loose with genre fun in her admittedly still-young career. Howe...
There is so much passion, so much love behind (and in front) of the camera in Blinded by the Light that it makes this negative review rather hard to write. Dire...
When aspiring indie filmmakers first turn their lens on their family, often they’re met with a certain amount of reluctance. For his directorial debut The Disap...
I told myself not to mention Sons of Anarchy in my review for Outlaws before sitting down to watch. My reasoning came out of a desire to judge Stephen McCallum'...
One of the unfortunate byproducts of living under the Trump administration is being necessarily aware of ancillary right-wing partisans that have contributed to...
What exactly are Johnno and Spanner? There are moments when the two Scottish teens hate each other’s guts with bilious fervor, others when they’re the...
It opens in slow motion with teenage bodies wrestling and punching inside chaotic dust swirls, one boy (Xabiani Ponce de León's Carlos) caught isolated in the m...
The sheer amount of style that writer/director Makoto Nagahisa shows off in We Are Little Zombies is impressive. Aesthetically, there is a lot going on here. Fo...
Often hilarious and always a delight, Raise Hell: The Life & Times of Molly Ivins is the conversational, down-home story of the Smith College-educated Texan...
Our lives consist of uncertainties. To progress forward is to confront each new possibility as the product of dream or nightmare — an open door to leap through ...
