The Boy Who Sold The World is an entertaining look at boy genius Ben Pasternak, a master of the universe in the making (or has he already arrived?). One has to...
Philippe Garrel’s modus operandi since 2013’s Jealousy has been unfussy, melancholic, black-and-white tales of Parisian men in the throes of romance, typically...
Capturing the rhythms of life on a rural Humble County, California commune in a changing cultural landscape, Kate McLean and Mario Furloni’s beautifully crafte...
Set in a time before Uber, smartphones, and mass social networking, Brandon LaGanke and John Carlucci’s Drunk Bus is a nostalgic look at college life in small-...
In any other time and in any other place, She Dies Tomorrow would be a lucid and unsettling film. Screened in the height of a global pandemic, it is difficult ...
Starting with the work of Joy Buolamwini of the MIT Media Lab, Shalini Kantayya’s Coded Bias is an alarming look at the imperfections of technology trusted to ...
Emotionally affecting if somewhat unfocused at times, Kim A. Snyder’s US Kids is an often inspirational documentary capturing the energy and personalities behi...
When DAU. Natasha premiered at the Berlinale less than a moon cycle ago it was unprecedented and an entirely unique film. We now have precedent for the DAU mov...
Directed by Sarah Brennan Kolb, Good Ol Girl is an evocative look at three women working their way up the hierarchy of Texas cattle ranching, featuring self-s...
America’s sharp political divide is an oft-explored topic in cinema, and a tale as old as time across any medium. However, with our country’s unceasing mass sh...
