In Annette, a provocative comedian (Adam Driver) and renowned opera singer (Marion Cotillard) fall in love and have a gifted child. Written and composed by Ron...
Steven Soderbergh is one of the few commercial American directors who makes films about money—stealing it (the Oceans trilogy, Out of Sight, The Informant!, Th...
It’s been over four years, and what feels like a lifetime of online debate, since the release of Wonder Woman, a female-led superhero film that was praised as ...
There's one key fact about the fifth and (apparently) final installment in James DeMonaco's Purge series that demands mentioning: it was scheduled to debut Jul...
For its first act, Till Death tries keeping things muted. S.K. Dale directs his cast to deliver lines as if they’re somewhere between whispering and talking; c...
We all look for signs and interpret them how we see fit, whether doing so is correct or not—and despite those so-called "signs" proving nothing but coincidence...
Greek tragedy echos through the modern-day Korean #MeToo movement in Ougie Pak’s Clytaemnestra. Made on the fly at an acting workshop in Greece, the film follo...
An art object is not just art—it can also be a tool that confers power. The contemporary art world has often come under fire as a marketplace of assets for the...
In a year that isolated us with grief and loss, how do we find a renewed sense of connection to the world around us? This seems to be the question that Roaring...
As cities across the world were forced to issue mandatory lockdowns at the start of last year’s COVID-19 pandemic, some Internet commentators light-heartedly p...
