One of the most well-decorated films at this year's Sundance Film Festival was Hive, Blerta Basholli's drama which picked up an Audience Award, Directing Award...
The way her career is headed, soon we’ll be able to collate an Ana Lily Amirpour map of the United States. A Girl Walks Home Alone at Night was set in a fantas...
The contemporary royal family are more compelling as media figures than anything with much consequence to how life is lived in Britain today. They make great f...
Can someone get Edgar Wright a DJ residency? Or a prime-time (or drive-time) radio slot. Few working directors are so passionate and eager to play the tunes, t...
David Cronenberg, who certainly knows a thing about difficult literary adaptations, may have said it best: "In order to be faithful to the book, you need to be...
Every time there is a new Juliette Binoche performance it's a hearty reminder that she is probably our greatest living actor. The new thriller Who You Think I ...
Whatever new could be said about Paul Schrader as an artist—curving around the extra-textual value in Kickstarter campaigns, Facebook posts, and tragic losses ...
In a film of carefully appointed details, let’s isolate one. Phil Burbank (a fierce Benedict Cumberbatch) is, among many things, a man of reputation. The Monta...
In his roles as either a Silicon Valley super-villain (Venom) or Hannah Horvath’s baby daddy (Girls), Riz Ahmed has had to do the same as countless other Holly...
T. S. Eliot gave it a cryptic name in The Waste Land: "The Burial of the Dead." Pedro Almodóvar has instructed his glamorous cast in Parallel Mothers to carry ...
