A sweeping documentary by David Redmon and Ashley Sabin, Kim's Video follows the personal-inquiry, man-on-the-street format from their previous works Mardi Gra...
Four young boys come of age in Guðmundur Arnar Guðmundsson’s textured yet maudlin kitchen-sink drama Beautiful Beings. Guðmundsson’s sophomore feature (and Ice...
A formula as old as the movies itself, the House Party concept is essentially a blank slate revolving around the climatic, titular event where the stakes of fr...
Four decades ago—before he worked with Hayao Miyazaki, before the young artists’ collective he co-founded changed their name from “Daicon Films” to “Studio Gai...
Nowadays it’s rare to see a multiplex movie with so little affect. And arriving in the second week of January as one of the few dumping-ground action programme...
“1995” declares a 1970s-style title card in the opening minutes of Kyle Edward Ball’s Skinamarink, a film presented in fake grain filters meant to suggest the ...
In Marc Forster’s A Man Called Otto, Tom Hanks plays a grump. He patrols his neighborhood with a scowl on his face, hoping to poke fun and ultimately subvert o...
Not outwardly terrifying, director Gerard Johnstone’s sci-fi slasher features a lifelike AI doll named M3GAN, programmed to attach itself to a single child. In...
Hou Hsiao-hsien’s Millennium Mambo premiered at the Cannes Film Festival in 2001 to, sadly, so little enthusiasm outside the highbrow crowd that it didn't fina...
With a filmography of muscular acting showcases, patient tempos, and emphasis on brooding atmosphere, it’s evident Scott Cooper has been influenced by the ende...
