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    • Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

    • David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

    • Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

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    • Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

    • Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

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    • Cannes Review: Valeska Grisebach Returns with Spellbinding Noir The Dreamed Adventure

    • Cannes Review: Kiyoshi Kurosawa Spins an Entrancing Yarn with The Samurai and the Prisoner

    • Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau

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    • NYC Weekend Watch: Kim Ki-young, Popeye, A New Leaf & More

    • New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

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    • The B-Sides of Laurence Fishburne with Mitchell Beaupre

    • The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

    • The B-Sides of Chow Yun-Fat

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News

Pedro Almodóvar Plans Early 2025 Shoot for Next Feature Bitter Christmas

November on the Criterion Channel Includes Catherine Breillat, Ida Lupino, Med Hondo, David Bowie & More

Elaine May’s Crackpot, Starring Dakota Johnson and Sebastian Stan, Needs an Insurance Director to Move Ahead

The Criterion Collection’s January Lineup Includes The Mother and the Whore, Akira Kurosawa, and Anthony Mann on 4K

Watch: Luca Guadagnino Directs Margot Robbie and Jacob Elordi in New Chanel Short Film

Maren Ade Sets First Film Since Toni Erdmann with Magic Word

Amnesiascope and Rohmer Fits Present A Tale of Autumn on October 13 and 22

Jia Zhang-ke Reveals He’s Working on an AI Short Film

Daniel Day-Lewis Ends Retirement for Anemone Co-Written with and Directed By Son Ronan Day-Lewis

Exclusive Premiere of Sean Henry’s “In Heaven” Video Reworks a Classic David Lynch Tune

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Cannes Review: Valeska Grisebach Returns with Spellbinding Noir The Dreamed Adventure

Cannes Review: Kiyoshi Kurosawa Spins an Entrancing Yarn with The Samurai and the Prisoner

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau

Cannes Review: With Coward, Lukas Dhont Sets Queer Love Story In Trenches of WWI

Cannes Review: La Bola Negra Feels Like an Epic, Long-Lost Novel

Cannes Review: La Gradiva Is a Remarkable Debut of Extraordinary Sensitivity

Cannes Review: Low Expectations Is an Accomplished and Bittersweet Debut

NYC Weekend Watch: Kim Ki-young, Popeye, A New Leaf & More

Cannes Review: Steven Soderbergh’s John Lennon: The Last Interview Is a Breezy, Inessential Documentary

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