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News

Michelangelo Antonioni’s Unproduced Screenplay Technically Sweet is Becoming a Film

Jean-Luc Godard Hints at Retirement in New 85-Minute Conversation

Lena Dunham Secretly Shot Her First New Film in Over a Decade

Gore Verbinski and Paul W.S. Anderson Set George R.R. Martin Adaptations for New Films

Following Steven Spielberg, Marco Bellocchio Now Eyes Kidnapping of Edgardo Mortara Drama

Watch Sean Baker’s New Short Film for Khaite, Shot by Sean Price Williams

Exclusive Poster for Bradley Grant Smith’s SXSW-Bound Our Father

Steven Soderbergh to Direct Zoe Kravitz in KIMI

Neill Blomkamp’s District 10 Moves Forward as First Details Arrive for His Pandemic-Shot Horror Film

The Criterion Channel’s March 2021 Lineup Includes Preston Sturges, Elaine May, Black Westerns & More

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Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

The Best Movies Now Playing in Theaters

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian 

Catherine Breillat Sets Next Film With The German Cousin

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