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    • Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

    • David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

    • Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

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    • Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

    • Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

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    • Cannes Review: Kiyoshi Kurosawa Spins an Entrancing Yarn with The Samurai and the Prisoner

    • Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau

    • Cannes Review: With Coward, Lukas Dhont Sets Queer Love Story In Trenches of WWI

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    • NYC Weekend Watch: Kim Ki-young, Popeye, A New Leaf & More

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

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    • The B-Sides of Laurence Fishburne with Mitchell Beaupre

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News

Martin Scorsese to Direct Leonardo DiCaprio and Jennifer Lawrence in What Happens at Night

October on the Criterion Channel Includes John Carpenter, Body Horror, Edward Yang, Hong Kong & More

Watch Francis Ford Coppola and Shia LaBeouf Quarrel on the Set of Megalopolis

Watch: Scarlett Johansson Finds Rituals in Yorgos Lanthimos-Directed Prada Ad

Exclusive: Japan Society Announces October Series Shiguéhiko Hasumi: Another History of the Movie in America and Japan

The Criterion Collection’s December Lineup Includes His Girl Friday and Pee-Wee’s Big Adventure on 4K

Exclusive: KimStim Acquires Acclaimed Ukrainian Documentary Timestamp, Release Trailer & Poster

Paul Thomas Anderson on Getting Thomas Pynchon’s Blessing to Radically Adapt Vineland: “I Stole the Parts That Really Resonated with Me”

Mark Ruffalo to Star in Bertrand Bonello’s Next Feature

Paul Thomas Anderson Selects Five Films to Watch Ahead of One Battle After Another as Tickets Go on Sale

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Cannes Review: Kiyoshi Kurosawa Spins an Entrancing Yarn with The Samurai and the Prisoner

Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners

Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau

Cannes Review: With Coward, Lukas Dhont Sets Queer Love Story In Trenches of WWI

Cannes Review: La Bola Negra Feels Like an Epic, Long-Lost Novel

Cannes Review: La Gradiva Is a Remarkable Debut of Extraordinary Sensitivity

Cannes Review: Low Expectations Is an Accomplished and Bittersweet Debut

NYC Weekend Watch: Kim Ki-young, Popeye, A New Leaf & More

Cannes Review: Steven Soderbergh’s John Lennon: The Last Interview Is a Breezy, Inessential Documentary

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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