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    • Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

    • The Criterion Collection Announces Complete Stanley Kubrick 4K Set

    • NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

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    • Will Poulter Navigates an American Crisis In First Trailer for Union County

    • Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

    • Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

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    • Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

    • Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

    • Romería Review: A Personal Tale of Intergenerational Dissonance

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    • New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

    • NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

    • Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

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    • Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

    • Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

    • “There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

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    • The B-Sides of Julia Roberts with Joe Reid

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    • The B-Sides of Goldie Hawn with Jen Johans

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    • Exclusive Trailer for 4K Restoration of Jae-young Kwak’s My Sassy Girl Reintroduces the South Korean Hit

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News

Watch Francis Ford Coppola and Shia LaBeouf Quarrel on the Set of Megalopolis

Watch: Scarlett Johansson Finds Rituals in Yorgos Lanthimos-Directed Prada Ad

Exclusive: Japan Society Announces October Series Shiguéhiko Hasumi: Another History of the Movie in America and Japan

The Criterion Collection’s December Lineup Includes His Girl Friday and Pee-Wee’s Big Adventure on 4K

Exclusive: KimStim Acquires Acclaimed Ukrainian Documentary Timestamp, Release Trailer & Poster

Paul Thomas Anderson on Getting Thomas Pynchon’s Blessing to Radically Adapt Vineland: “I Stole the Parts That Really Resonated with Me”

Mark Ruffalo to Star in Bertrand Bonello’s Next Feature

Paul Thomas Anderson Selects Five Films to Watch Ahead of One Battle After Another as Tickets Go on Sale

NYC Weekend Watch: New Orleans, Shinji Sōmai, Charlie Chaplin & More

Vote in The B-Side’s 2025 Audience Choice Polls!

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New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

Will Poulter Navigates an American Crisis In First Trailer for Union County

12 Films to See in July

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

The B-Sides of Julia Roberts with Joe Reid

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

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