If not quite so known as many of his Hong Kong contemporaries, Soi Cheang has mastered nearly every genre and style for which the national cinema is so beloved...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtA complete João César Monteiro retrospective (watch our exclusive trail...
Given her work in and around cinema, it’s no surprise that Stephanie LaCava would write a novel that is, no small feat, cinematic. Said novel is Nymph, a slim ...
Restorations and retrospectives are plentiful enough that it's hard to believe Oliver Assayas' early career bears no imprint on American film culture. While ce...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchMy Dylan-scored cut of Tod Browning's The Unknown has o...
November, Noirvember, tomato, tomahto. The Criterion Channel continue their quest to find every known subgenre with "Blackout Noir," which places Terence Fishe...
Jafar Panahi arrives in the United States as both a vector of history and blank slate. His profile would be enough were he only one of Iran’s leading filmmaker...
Criterion will not begin 2026 on a quiet note. It's notable enough that we now have Edward Yang's Yi Yi, a consensus pick for the 21st century's greatest film,...
In the last five-or-so years I've probably not acquainted myself with a better filmmaker than João César Monteiro, who I'd either distill as the closest analog...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Japan SocietyIn perhaps the best series of the year, Japanese teacher and critic Shiguéhiko...
