A filmmaker perhaps too prolific for his own good, Lou Ye takes his latest spin ‘round the festival circuit with Saturday Fiction, a movie stuffed to bursting w...
Starring Steve Coogan as a billionaire who is literally named “Rich,” Greed cannot be accused of being a subtle movie—but then, these are not subtle times. Reus...
Crazy Rich Asians having opened the spigot on the previously untapped audience for Asian-diasporic considerations of family and multicultural identity, Joy Luck...
The original French-language title of Arab Bles is Un divan à Tunis, and true to the echo of Chantal Akerman’s psychotherapeutic meet-cute A Couch in New York, ...
“What should I do now that I have lost my faith?” is the question that animates About Endlessness; this being the new film by Roy Andersson, it is delivered in ...
The story of filmmaking in New York City is incomplete without consideration of the foreign-language films that are regularly made here. Such films—off the top ...
Where better than New York City to make a structuralist film? Cities are iterative, their street grids diagrams of theme and variation, and New York most of all...
Something is causing the ground to shift underneath a new Chinese suburb in writer-director Qiu Sheng’s intriguing, adept debut feature. High-rise towers are li...
Sauvage/Wild opens with a gay hustler in a doctor’s office. As he discusses his ill health—his cough, his odd stomach pains—the camera, like the examiner’s hand...
