Getting over my grudge that one hasn't really seen Flowers of Shanghai unless seen on an abjectly hideous all-region DVD taken from your college library, I can...
The quotes in IFC's trailer for MLK/FBI will tell you what's expected: important, timely, infuriating. All of which may be true and is intended to push tickets...
The headline sort of says it all, and frankly there's maybe not much else necessary to convince, but for the sake of details: Deadline reports Spike Lee will d...
A somewhat controversial selection of this year's Venice Film Festival, Pieces of a Woman—the latest from White God director Kornél Mundruczó, and executive pr...
Your once-in-a-blue-moon Lynne Ramsay news comes today courtesy Stephen King, whose 1999 novel The Girl Who Loved Tom Gordon just might fuel her next feature. ...
The list of things we wanted this year and did not get is too long and, frankly, despair-inducing to run down, so for the purposes of this article I'll localiz...
One of last year's best films would, by extension, prove a clear highlight of 2020 even if a normal theatrical climate persisted. Sneaking in just under the wi...
The Criterion Collection continues 2021 with a recently rediscovered classic, an established tenet of the conspiracy genre, a horribly underrepresented African...
You cannot stop Abel Ferrara. You should not try to stop Abel Ferrara—American (or wherever he can get funding) cinema still needs its uncompromising bravados,...
The last couple Safdie brothers movies are acclaimed on a panoply of fronts but it's hard to imagine them functioning like so sans Oneohtrix Point Never, the p...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
