A full decade since The Neon Demon—with mega-length streaming projects Too Old to Die Young and Copenhagen Cowboy perhaps comprising a separate, wholly worthwh...
Late Fame finds that not-so-common sweet spot between caustic and elegiac, Willem Dafoe (a vision of resparked enthusiasm) and Greta Lee (a vision of too-spark...
Tsai Ming-liang's The Hole has occupied a large-enough place in cinephilia these last 25 years that it's sort of baffling to realize the film is just now getti...
With the bevy of films NEON brought to Cannes Film Festival this year, it's no surprise some of them will be rolling out in theaters starting this summer. On J...
Nobody has ever quite treated images as a building block of narrative and mood like Otar Iosseliani, though you're forgiven for having no sense of this. A favo...
This year's Cannes Classics selection was no small thing, yet one object loomed larger than any other (while making a rather formidable start for Warner's new ...
50-something years into a seismic career, Shinya Tsukamoto has embarked upon the rare English-language project. And in branching out, one of Japanese cinema's ...
A directorial debut standout on the festival circuit last year, Stillz's Venice, TIFF, and NYFF selection Barrio Triste is now arriving in theaters in a fittin...
If 2026 was, probably, not a banner year for Sundance—nor the ideal send-off to Park City, but let's not get into that now—the best titles still made a fine im...
Though among the great films of its time, proof-positive of the Italian studio system's genius, and a peak for both director Luchino Visconti and star Marcello...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
