The world of Kanye West is so dense—the scandals, the fashion, the girlfriends, the religious services, and even sometimes music—that it was easy not to notice...
After last year's wildly divisive New Order, Michel Franco returns this month with a drama of a much different stripe. Sundown, which played at Venice, TIFF, B...
With fears our winter travel will need a, let's say, reconsideration, the Criterion Channel’s monthly programming could hardly come at a better moment. High on...
Once again refuting a notion in the worst corners of the Internet that Martin Scorsese strictly lives out his days as a Marvel-hating director who only makes g...
As 2021 reaches its merciful end we are only happy to look forward—towards March, mainly, and what Criterion’s planning as spring springs. The 4K stride contin...
After a major year featuring one of the best roles of his career in Pig and also one of his wildest with Sion Sono's Prisoners of the Ghostland, Nicolas Cage i...
Ping-ponging between major blockbusters like the Mission: Impossible and Fast & Furious franchises and indie dramas such as Pieces of a Woman and The World...
Quite a thing when your surname's a noun, adjective, and verb. I don't think Brandon Cronenberg's yet assumed the mantle that suggests, but as his dad—who, gra...
When Apichatpong Weerasethakul calls it "THE best film of the last 125 years," lend a second of your time. Largely unseen upon its 2004 release by Steve Bannon...
If there were differences that sprang between Quentin Tarantino and Roger Avary in the 25-plus years since Pulp Fiction—on which both accepted Best Screenplay ...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
