Sure to ignite many impassioned discussions, I Am Michael tackles complex issues of sexuality and faith with a balanced view. The directorial debut of Justin K...
Dope opens with a sense of energy proclaiming that writer-director Rick Famuyiwa has something to say, and he's going to do it in his own particular way. Diffic...
After breaking out with the bleak, but masterful character study Half Nelson, filmmaking duo Anna Boden and Ryan Fleck took on baseball with the under-appreciat...
The treacherous landscape of the west has been captured in numerous entries in the genre, but rarely with the distinctive vibrancy cinematographer Robbie Ryan (...
Things get weird, and then some, in Patrick Brice's engaging and bizarre new comedy The Overnight. As with the majority of Duplass-produced features, we follow ...
"We will conquer this wilderness. It will not consume us," foreshadows our patriarch in the first act of The Witch, a delightfully insane bit of 17th century de...
In the five months found within James White, our title character is at the most difficult chapter of his life thus far. Grieving the loss of his father and atte...
Each building up their dramatic profiles as of late, Jonah Hill and James Franco take the next obvious step: teaming up for about as dark a story as Hollywood c...
The darkest retelling of Homeward Bound imaginable, Kornél Mundruczó's Cannes-winning drama White God is equal parts a technically ambitious, but not entirely s...
Few actors can get us interested in a film on name alone, but Vincent Cassel certainly holds that honor. At this year's Sundance Film Festival, he'll be tak...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
