Whether it's Martha Marcy May Marlene or Sound of My Voice or this year's The Wolfpack, we've seen a number of films at Sundance deal with communes and closed c...
Regardless of one's budget, a well-executed, smart idea can sell science fiction films on the smallest of scales. With seemingly little resources, the writing a...
Growing up one can often feel sheltered from the outside world, whether its through parental restrictions, lack of a social life, or the location of one's upbri...
Having mastered the adaptation of a classic period piece with Jane Eyre, Mia Wasikowska will return this year with another. Directed by Sophie Barthes (Cold...
She may have recently been cast in Ghostbusters, but Kristin Wiig keeps her indie sensibilities very much intact. Before she stopped by this year's Sundance...
After the mega-bomb embarrassment that was A Million Ways to Die in the West, Seth MacFarlane is returning to familiar territory this summer with the safest...
With the glut of shapeless and uninspired teenage dramas hitting the marketplace, a breath of fresh air arrives with Me and Earl and the Dying Girl. Directed by...
Some iconic talents of cinema rarely gave an interview, while others were relegated to the routine press circus. Regardless of where one falls on the spectrum, ...
Perhaps the most intriguing feature of this year's Sundance Film Festival slate, Last Days in the Desert, follows Jesus (and Satan), both played by Ewan McGrego...
An effect of the current superhero craze means every studio is looking to see which of their costume-centered properties can be rebooted and repackaged for ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
