There is one compelling reason to see Mary Magdalene, Lion director Garth Davis’ long-delayed drama, a notorious casualty of the death of the Weinstein Company....
Like the protagonist of his latest film, The Wedding Guest, Michael Winterbottom is a wanderer–cinematically, that is. There are few filmmakers in modern cinema...
Yes, you could spend your holiday in the company of family and friends. But wouldn’t you rather curl up with a new book centered on cinema? There are new options aplenty, but let’s start with the latest from one of the most insightful, compelling voices we have: the great Karina Longworth....
Kristen Stewart’s young career is peppered with highs–most notably, Olivier Assayas’s Clouds of Sils Maria and Personal Shopper–but the actress has never been m...
Comparing a director’s latest film to his or her previous effort is almost always unwise, or at least, a bit foolish. When both films are extraordinary achievem...
Survival at all costs. That’s the theme–or, more precisely, a theme–of Steve McQueen’s timely, tremendously entertaining Widows. This is precision entertainment...
Nicole Kidman is relentless in the fascinating, ambitiously pitch-black, often off-putting police drama Destroyer. Karyn Kusama’s follow-up to the slow-burn hor...
The boys and their father are slumped in the back of a dying pickup truck. Minutes earlier, dad lost his job, in part because he brought the boys with him to hi...
Christopher Schobert is a Rotten Tomatoes-approved film critic who has written for numerous outlets worldwide and covered film festivals in Toronto, New York, and London. Currently, he writes reviews and features for The Film Stage, writes a monthly cinema column for Buffalo Spree magazine, and discusses film as a regular guest on the Shredd and Ragan radio show on Buffalo’s 97 Rock.
