After getting attention on the festival circuit with her back-to-back first features Thou Wast Mild and Lovely and Butter on the Latch, director Josephine Deck...
One of Sundance’s most stunning break-outs in the past decade was Martha Marcy May Marlene, Sean Durkin’s remarkably crafted, psychologically deft exploration ...
A cramped setting, an onslaught of clever dialogue and a twisty plot go a long way in Scare Me, an impressive little movie from writer/director Josh Ruben, who...
So much of what makes Promising Young Women work so well is in what's not on screen. Far more contemplative than initial marketing might suggest, this is a rev...
Have we ever given Paul Bettany the credit he deserves? One thinks back to his stellar turns in Master and Commander: The Far Side of the World, The Reckoning,...
There are a lot of reasons why independent filmmakers gravitate towards ensemble pieces for their first few features, not the least of which is the company the...
Sibling rivalry seldom gets treated with any seriousness in modern mainstream cinema. This makes Esteban Arango’s new coming-of-ager Blast Beat quite the rarit...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Scout Tafoya to talk about...
If the Earth was no longer inhabitable, could we survive inside a self-sustaining biodome environment launched into space? From Silent Running to Elysium, the ...
The front door cracks open and the image is jarring. There stands Mila Kunis, her hair bleached, her face and arms scarred, her skin a sickly yellow, her mouth...
