The Best of Sundance 2019

The Best of Sundance 2019

150 Films to See in 2019

150 Films to See in 2019

Top 50 Films of 2018

Top 50 Films of 2018

2018 Year-End Features

2018 Year-End Features

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Listen to The Film Stage Show

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Stream the Best Films of 2018

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Download 2018 Screenplays

Examing Films of Brian De Palma

Examing Films of Brian De Palma

Top Directors' Favorite Films

Top Directors' Favorite Films

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The Best Filmmaking Docs

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Tag: Festivals

Mica Levi on Psychedelic Compositions, Jackie O’s Style, and the Textures of ‘Monos’

 

Rotterdam Review: ‘The Days to Come’ is an Engrossing, Energetic Elegy to Parenthood

 

New Directors/New Films 2019 Lineup Includes ‘Clemency,’ ‘Monos,’ ‘Share,’ and More

 

Berlin Review: ‘Piranhas’ is a Perceptive Yet Formulaic Immersion into the World of Neapolitan Teen Gangs

 

Berlin Review: ‘Synonyms’ is an Unsettling, Dazzling Film About Conflicted Nationality

 

Berlin Review: ‘Ghost Town Anthology’ is a Perturbing Excursion into Otherness

 

Kamasi Washington on Creating a Visual Companion to ‘Heaven and Earth’ with His Sundance Premiere ‘As Told To G/D Thyself’

 

Berlin Review: ‘I Was at Home, But…’ is an Enigmatic, Sprawling Puzzler

 

Berlin Review: ‘The Plagiarists’ Critiques the Reverence of the Real

 

Berlin Review: ‘The Operative’ Sets Diane Kruger in John Le Carré-Style Potboiler

 
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Latest posts from The Film Stage


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