Scheduled to have its world premiere a year ago at SXSW, Eric André's latest project will finally arrive on Netflix this month, after the streamer acquired the...
First paragraphs of Hong Sang-soo reviews often dwell on the Korean master’s penchant for self-repetition, soothing readers that narrow expectations will be fu...
With theatrical exhibition regaining some life as New York City theaters open up at a limited capacity this month, the spring and summer will be an interesting...
Add another entry to the time loop directory with Joe Carnahan's Boss Level arriving as this month's installment of what feels like a regular ritual these days...
Sophie Jones, the creation from co-writing cousins Jessica and Jessie Barr, excels when focused on the eponymous high schooler’s detachment from friends and fa...
An aura of pure eccentricity billows off the new film by Québécois provocateur Denis Côté, like a fug of stale-smelling nitrous oxide. Akin to his prior work o...
The line between fairy tale and horror proves a thin one in Igor Drljaca's The White Fortress thanks to the differing perspectives of young love in Sarajevo. W...
Having first covered The Fever back in when it premiered at Locarno in 2019––where director Maya Da-Rin picked up the FIPRESCI Prize and Regis Myrupu won Best ...
For his first narrative feature Natural Light, Hungarian filmmaker Dénes Nagy (who has worked in documentary since as far back as 2008) follows in the footstep...
The big draw to Fred Baillif's fictional look inside a residential care facility housing teenage girls is the fact that he refuses to pretend his setting is an...
