After forays into horror-comedy (Piranha 3D) and dark fables (Horns), New French Extremity director Alexandre Aja comes full circle with straight-forward, gnarl...
We don't get our bearings as far as locale and characters go until a little ways into Alexandre Carrière's Jade's Asylum. While we've already met Jade (Morgan K...
A one-man show on-screen and behind it, Gints Zilbalodis' Away is an obvious labor of love. Opening like a videogame wherein our lead is found dangling by parac...
We spoke with writer-director Lulu Wang about casting Tzi Ma to act as the fluid connection between Eastern and Western cultures, her unique use of fluorescent light to capture a modern Chinese aesthetic, and the pressure of bringing The Farewell to the competitive film market. ...
There are roughly two key types of autobiographical auteur movies. One is the phantasmagoric childhood upbringing kind–as in Fellini's Amarcord or, more recentl...
We talk with the director, who has proven to be one of the more distinctive voices in American independent filmmaking, about mixing humor and horror in the world of karate....
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Director Hideo Nakata brought novelist Kôji Suzuki's Ring series to the big screen two decades ago and spawned a laundry list of sequels, American remakes (one ...
Writer-director Yuval Adler returns to the spy genre that he first visited with his 2013 film Bethlehem, with The Operative starring Diane Kruger and Martin...
