While his breakout feature Force Majeure was met with much acclaim a few years ago, Ruben Östlund returned to Cannes Film Festival with The Square, which ea...
After a nearly year-long wait from its Cannes premiere to U.S. debut for Joachim Trier's last film, Louder Than Bombs, the delay won't be nearly as long for...
In the ever-expanding universe of relationship dramedies, divorce remains as prevalent a subject as ever. With Home Again, written and directed by Hallie Meyers...
The Unknown Girl is über-Dardenne brothers, a seemingly slight detective story collapsing nearly innumerable aesthetic, formal, and thematic interests into a warm embrace, reminding us yet again why their voices are indispensable....
Like a peanut butter and jelly sandwich laced with too many prescription drugs, Suburbicon might look, sound, and perhaps even taste a little like a Joel and Et...
Expanding her narrative scope but still retaining a level of aesthetic intimacy, Dee Rees’ Pariah follow-up Mudbound has the old-fashioned storytelling feel...
There most be something in the water in Chile, at least when it pertains to the prolific nature of its emerging directors. Following Pablo Larraín's one-two...
With a more ceremonious unveiling than the other Hollywood adaptation of a Stephen King property this year, It is slickly calibrated to please its spook-hungry audience....
After breaking out with the Jeff Bridges-led Crazy Heart, Scott Cooper has struggled to find the same level of acclaim with his follow-ups Out of the Furnac...
Easily the biggest success story out of Telluride Film Festival this past week was Greta Gerwig's first solo outing as director, Lady Bird. Following a moth...
