Yorgos Lanthimos’ The Killing of a Sacred Deer recently debuted at the Cannes Film Festival, where it proceeded to make an entire audience uncomfortable, as...
After last year’s reasonably well-received Dog Eat Dog, director Paul Schrader has already embarked upon his latest project, First Reformed. Apparently more...
What does a cowboy do when he can’t ride? Chloe Zhao’s absorbing South Dakota-set sophomore feature has its titular rider come to terms with such a fate, in a f...
There are surely few sweeter delights in this troubling world of ours than seeing Willem Dafoe politely escort a group of storks off a motel driveway. It is, pe...
With the successive features Dogtooth, Alps, and The Lobster, Yorgos Lanthimos seemed to be going down the same route as Wes Anderson, i.e. become one of those ...
Documentaries such as David Byars’ fascinating No Man's Land have an important function going beyond the headlines, memes, and talking points that prove to be d...
Editor's Note: Promised Land has been retitled The King for its U.S. release. See our review below.
A title like Promised Land can be appreciated for its dua...
Dead men tell no tales, and the Pirates of the Caribbean franchise should really stop telling them too. Unfortunately, Disney’s been beating this dead horse for...
Happy End is a perplexing title for a movie by Michael Haneke, a filmmaker not exactly known for his irony whose endings have ranged from the death of all the c...
