Climate change deniers say a lot of ridiculous things, but there’s one specific straw man argument they frequently fall back on that is so insulting in its ridi...
When it comes to the music of Inherent Vice, both the songs Paul Thomas Anderson used for his adaptation and over 100 tracks referenced in Thomas Pynchon's ...
As detailed prior to the release of Interstellar, Christopher Nolan wanted audiences to hear Hans Zimmer's score for the space adventure for the first time ...
Much like the conversations that amounted to half-a-day between Alfred Hitchcock and François Truffaut for a book the latter wrote on the former, today we h...
Awards season means there are often unexpected gatherings of talent to discuss their latest works, and such is certainly the case with a recent talk. While ...
In an episode of my podcast, The Cinephiliacs, colleague Vadim Rizov noted a humorous but mostly essential statement when describing his disappointment with the...
While not technically made under the auspices of the Harvard Sensory Ethnography Lab, The Iron Ministry, directed by associated member J.P. Sniadecki, begins wi...
The heady, emotional lyrics of Nina Simone’s Blackbird keep rising up under the skin of Gina Prince-Bythewood’s Beyond the Lights, revealing the earnest, strivi...
Dailies is a round-up of essential film writing, news bits, and other highlights from across the Internet. If you'd like to submit a piece for consideration...
The thirty-one-month gap between the theatrical releases of 2011’s J. Edgar and this year’s Jersey Boys marked the longest such stretch in the forty-three-year-...
