After two decades of features, Iranian Oscar winner Asghar Farhadi has made one thing abundantly clear: he lives in the grey zone, and so should we.
Paralle...
“Look into my eyes / can you see they’re open wide / would I lie to you?” Those lyrics linger in the air as a soft whisper for only a moment before the accompa...
It’s never wise to assume anything. Promotional materials doing the rounds before Club Kid's raucous Cannes premiere this week suggested a New York downtow...
One of this year's most-anticipated premieres is a rare occurrence for the Cannes Film Festival: a sequel. Coming full circle, Lisandro Alonso’s new feature is...
Thomas Mann, Nobel Prize-winning writer and voice of the German resistance from abroad, fled Germany in 1933 to take refuge in California, where he lived f...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterA series of rare Korean cinema is on display in Celluloid Fever.
J...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Christopher Nolan's The Odyssey is this summer's l'objet de cinéma, the 70mm-sized monolith around which most else will have to orient. There are ways to be cr...
When asked about formative movie experiences, Jane Schoenbrun has spoken of the month spent watching all the Nightmare on Elm Street sequels at 11 years ol...
Red Rooms was not Pascal Plante's first film, but it sure suggested an arrival. Coming from seemingly nowhere and immediately placing the Québécois director on...
