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Note: This review was originally published as part of our 2025 Venice coverage. The film opens in theaters on May 15.
In April 2022, two months after Russia...
The brilliant Catherine Breillat made her long-awaited return with Last Summer a few years back, and now thankfully the wait for her next feature won't be as l...
Without putting too fine a point on it, the 2026 Directors' Fortnight in Cannes has kicked off with a bit of a dog. The latest from exiled Russian filmmaker Ka...
There's not much room nowadays for movies that are merely pretty good, even—especially—coming from great directors. Olivier Assayas’ CV has fortified his great...
One return to the director's chair we've long-awaited is John Sayles. The Lone Star and Matewan helmer hasn't made a film in 13 years, with his last release be...
The tides of cinema history have somehow obscured Liliane de Kermadec's Aloïse, where one role is inhabited by two of French cinema's greatest actors. Isabelle...
Even if he hadn’t recently landed the new Texas Chainsaw Massacre remake, you’ve likely heard the name Curry Barker. He’s the latest in the recent spate o...
That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and originated as an NFT—can get a theatrical release makes especially odd the st...
Is it still a twist if the script tells you what's happening around the 15-minute mark? The marketing that surrounds Katie Aselton's Magic Hour seems to believ...
