Starting with the work of Joy Buolamwini of the MIT Media Lab, Shalini Kantayya’s Coded Bias is an alarming look at the imperfections of technology trusted to ...
Emotionally affecting if somewhat unfocused at times, Kim A. Snyder’s US Kids is an often inspirational documentary capturing the energy and personalities behi...
When DAU. Natasha premiered at the Berlinale less than a moon cycle ago it was unprecedented and an entirely unique film. We now have precedent for the DAU mov...
Directed by Sarah Brennan Kolb, Good Ol Girl is an evocative look at three women working their way up the hierarchy of Texas cattle ranching, featuring self-s...
In 2007, the Ross brothers left a life in Hollywood (Bill was an editor of blockbuster trailers; Turner worked in set design) to make a movie in their hometown...
The 70th edition of the Berlin International Film Festival is now in the books. The jury, featuring Jeremy Irons, Bérénice Bejo, Bettina Brokemper, Annemarie J...
Entering its 19th edition this year, Tribeca Film Festival has announced its feature film lineup, including a number of anticipated titles as well as festival ...
In 2018, Victor Kossakovsky set out to shoot Aquarela, a survey-symphony that took the Russian documentarian around the world to capture glaciers, waterfalls, ...
Two cultures clash as a wave of anti-immigrant rhetoric spreads over a country in Teboho Edkins’ profound documentary Days of Cannibalism, which focalizes the ...
We have had the privilege of speaking with Taiwan-based filmmaker/master of slow cinema Tsai Ming-liang three times over the last four years (see here, here, a...
