Producer Filip Jan Rymsza, editor Bob Murawski, along with Peter Bogdonavich and Frank Marshall, surprised the film world in 2018 when they finished Orson Well...
Recruiting
into the drug trade isn't difficult when impoverished youth from broken homes
are desperate to find purpose and escape. With school and family often...
Red, White and Blue, the third and weakest film from Steve McQueen’s Small Axe anthology series to premiere at this year’s NYFF, suffers because of its program...
In reimagining one’s history, you suspect your role in the proceedings. If you’re American, you put yourself in the heart of the battle, at the Constitutional ...
The dedication at the end of The Plastic House is short and sweet: “For Mum & Dad.” Like the rest of writer-director Allison Chhorn’s documentary, that ded...
Canadian novelist and playwright Robertson Davies once compared the continuity of a reader’s relationship to literature to that of architecture transforming in...
It feels like a lifetime ago that I watched I Carry You With Me. It was a Sundance press screening in the middle of my busiest day at the festival, and frankly...
Chaitanya Tamhane’s second feature-length film, The Disciple, trains its camera on characters to explore their entire person. Tamhane intentionally stages his ...
Humans want to believe in meaning and mystery. At times, an overwhelming sense of certainty can fill one's mind––about an idea, a truth, a religion, or a signi...
With a mix of in-person, drive-in, and digital screenings, most of the fall film festivals soldiered on during the pandemic, reimagining what a normal year may...
