The Innocents, the assured sophomore feature from Eskil Vogt, is a prickly film about childhood morality designed to get under its audience’s skin. It quickly ...
There are few things more aggravating than critics lazily comparing an emerging filmmaker to one of the best-known directors from their country, a shorthand to...
Petrov’s Flu opens on a stuffy commute—a Moscow bus in the early years of post-Soviet Russia. The eponymous protagonist is already bent over a handrail, strick...
It seemed inevitable that Haruki Murakami’s prose would find a way into the films of Ryusuke Hamaguchi. The director returns with Drive My Car, based on Muraka...
Pablo Larraín is gearing up for a major second half of 2021. At long last, his dance/relationship drama Ema will arrive next month (more on that later) and the...
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Scope around certain movie sites or Film Twitter and you may find reference to a slated upcoming DC comics adaptation title Justice League Dark—Guillermo del T...
A triptych of interconnected stories form Evolution, which begins at the end of the liberation of Auschwitz, in 1945, skips forward to an apartment in Budapest...
Whatever else you might want to say about Flag Day, there’s no denying it’s a personal piece of filmmaking, a large factor in its actor-director’s perennial pr...
The MIT Press describes Didier Eribon's book Returning to Reims as "a memoir and meditation on individual and class identity, and the forces that keep us locke...
